Ten years have passed since the publication of the 2009 issue of Graphisme en France wholly dedicated to typography, a follow up to the 1999 issue which also covered the developments being made in the field at the time.
Many changes have taken place over the last decade: in teaching, which has been reinforced and strengthened, and which has also seen the development of research, in the creation and distribution of typefaces, an area in the midst of a period of robust expansion, and in the development of tools to accompany the transformations and mutations in digital uses. These are the issues and subjects dealt with in this 25th issue of Graphisme en France
Thomas Huot-Marchand, designer, and also Director of the Atelier national de recherche typographique(ANRT)in Nancy, provides a review of the different types of training and education, and of the personalities who have contributed to and participated in the transmission of the know-how and history of Typography in France. Sébastien Morlighem, PhD in the History of Typography and teacher, shares with us his vision of typographic creation, foundries and the numerous initiatives that have emerged over the last decade, revealing a real and tangible dynamic in the current French scene which benefits from, among other things, a growing international recognition. Finally, Indra Kupferschmid, a designer and researcher from Germany, highlights the importance of variable fonts, a recent technological development which is considered in light of the history of different formats which have accompanied typeface creation over the last thirty years.This new issue of Graphisme en France was designed by Rozenn Voyer and Clément Faydit, recent graduates of the École nationale supérieure des beaux-arts of Lyon. They have designed an editorial object which is flexible, with a format which allows easy access to the content, texts, letters and images. The issue has been composed using the typefaces Henryby Matthieu Cortat and Figureby Alain Papazian.